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Holger Lippmann: NoiseScape

364,00 2.516,00  Prices include VAT.

4 works from the series noiseScape, 2020

Medium: Pigment print on paper

Technique: Code-Art/Generative Art, created by means of a software specially developed for this group of works “NoiseScape”, using various Perlin-Noise functions. Realized with the open source programming environment “Processing” (www.processing.org).

File Output: Vector PDF material (physical): Pigment (HP VIVERA pigment) on 380g, 100% cotton fine art paper (200 years light fastness guarantee (museum) by the manufacturer)

Edition: 15 small, 10 medium, and 5 large formats + 3 AP’s (Artist Proofs – 1 per size)

Image size (small): 68 x 38 cm Paper size: 80 x 60cm Price: 360,00 Euro, incl. 7% VAT plus shipping costs, without framing
Image size (medium): 102 x 57 cm Paper size: 120 x 90 cm Price: 520,00 Euro, incl. 7% VAT plus shipping costs, without framing
Image size (large): 125x 70cm Paper size: 149cm x 111cm Price: 640,00 Euro, incl. 7% VAT plus shipping costs, without framing

Available either individually or all 4 variants combined as a compilation. The compilation is available in small, medium or large format at a discounted price compared to the price of 4 individual copies.

The work is certified.

See the available images here. Click to enlarge. Select your variant from the pull-down menu at the bottom.

holger-lippmann-noisescape-934
Holger Lippmann: NoiseScape 934
holger-lippmann-noisescape-856
Holger Lippmann: NoiseScape 856
holger-lippmann-noisescape-811
Holger Lippmann: NoiseScape 811
holger-lippmann-noisescape-444
Holger Lippmann: NoiseScape 444

Delivery time: Two weeks

This product is currently out of stock and unavailable.

NoiseScape is a series of pigment prints by German artist Holger Lippmann. It comes in various designs and sizes.

Organic deformations staggered on top of each other form a horizontal depth. reminiscent of hill yeasts and/or billowing cloud banks. inevitably, the interpretation of a “landscape” arises, which it is ultimately not. The inherent coding of the noise fields tries to resemble the forces of nature, which leads to these images being deformed and distorted, lost in the juxtaposition of machine and nature, poetic ideas trapped in the computer code. In order to become an image within a unique constellation of many different coincidences. The real question remains: do generatively generated images have an electrical nature?

Holger prints his works on demand in his own studio premises.

Additional information

Dimensions N/A
Variante

444, 811, 934, 856, all

Size

large, medium, small

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